Christina Butera (b.1987) is a Kansas City-based composer, clarinetist, and teacher interested in both acoustic and electroacoustic music. She is the Vice President and Artistic Committee Chair of the non-profit arts organization KcEMA (Kansas City Electronic Music and Arts Alliance). Her compositions draw from a diverse range of styles and are particularly focused on structures based on timbral and textural transformations. She is influenced by her experience in Gamelan and Afro-Caribbean drumming, as well as her work in electronic music. Her music has been performed at venues across the country, such as Electronic Music Midwest, Electroacoustic Barn Dance, The Contagious Sounds Series, and GAMMA-UT, as well as international venues in France and Australia. She is currently working with the Nelson-Atkins Museum of Art to compose an immersive and interactive EA piece to be experienced within the bounds of the museum’s famous sculpture park. She recently presented at and participated in IRCAM’s Manifeste-2016 in Paris. Christina earned her BM in Composition at Bucknell University and her MM in Composition at Bowling Green State University. She has studied under composers such as Bill Duckworth, Marilyn Shrude, Mikel Kuehn, Chen Yi, Zhou Long, Jim Mobberley, and Paul Rudy. She is currently working as an audio engineer, completing her DMA at UMKC, and teaching courses in music technology, computer music, and synthesis at Kansas City Kansas Community College and UMKC.